![]() Pinocchio (1940), 88 min.īuy on Amazon and Google Play 1. Snow White and the Seven Dwarfs (1937), 83 min.īuy on Amazon and Google Play 13. Watch on Netflix, rent on Amazon and Google Play 23. Watch on Showtime, rent on Amazon and Google Play 30. Watch on Netflix, rent on Amazon and Google Play 31. Watch on Netflix, rent on Amazon and Google Play 36. Watch on Netflix, rent on Amazon and Google Play 39. Here are the best feel-good movies on Netflix. Kubo and the Two Strings (2016), 101 min. From (the best) superhero film to (the funniest) 70s movie, the streamer has some solid ways to up your mood. Watch on Netflix, rent on Amazon and Google Play 40. Watch on Hulu and Yahoo, rent on Amazon 41. Feel-good MoviesExplore more Afterlife of the Party The Last Summer The Entitled The Royal Treatment A Perfect Pairing Love, Guaranteed Tall Girl Hello. ![]() Watch on Starz, rent on Amazon and Google Play 43. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), 95 min. Watch on Amazon Prime and Google Play 47. Watch on Netflix and Showtime, rent on Amazon 50. Three Billboards Outside Ebbing, Missouri (2017), 115 min. A romantic Korean movie that shows both the bliss and tough times in a love story, Sweet and Sour may interest fans of Sally Rooney books or shows like Netflixs Lovesick. Watch on Netflix, rent on Amazon and Google PlayĦ0. These are the best feel-good, happy and heartwarming films to keep thinking positive. Watch on Netflix and Hulu, rent on Amazon 62. These inspirational, motivational and uplifting movies are on Netflix to stream right now offering a hopeful note. Watch on Sundance, rent on Amazon and Google Play 65. Watch on Netflix, rent on Amazon and Google Play 73. What We Do in the Shadows (2014), 86 min. Director: Peter Farrelly Stars: Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco. 101 Dalmatians (1961), 79 min.īuy on Amazon 89. A working-class Italian-American bouncer becomes the driver for an African-American classical pianist on a tour of venues through the 1960s American South. Newsweek critic David Ansen wondered if studios weren’t reluctant to give notes to some of the biggest and most visionary directors in Hollywood. Speaking to the Daily Beast three decades later, Rolling Stone film critic Peter Travers blamed the bloat on studios’ misguided belief that the longer the movie, the greater the sheen of prestige, the greater the potential for prestigious awards. In Corliss’ estimation, movies had become “longer but not richer,” a trend he argued began toward the end of World War II when movies shifted, broadly speaking, from creations of the studio system to the artistic visions of directors. The question Corliss explored that year is a perennial one, and it’s typically posed as a gripe. ![]()
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